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Breast Cancer Awareness Month

Several works of art ranging from an eighteenth-century painting to a twenty-first century Polaroid portrait were highlighted at the Davis Museum during October 2004 to raise awareness of breast cancer. This disease most frequently targets women. Its treatment, though potentially life-saving, can profoundly alter those parts of the body culturally associated with feminine beauty. Surgery cuts into or removes a woman’s breast, and chemotherapy may cause partial or complete hair loss and have other consequences to the body. As a result, breast cancer threatens not only a woman’s life, but also her sense of identity as shaped through body image.

The female body has long been a central subject for art in the Western tradition, so images related to breast cancer are especially charged. The works featured this month in the museum are marked by a pink ribbon on each label. They demonstrate how women make, commission, or donate art that explores bodies altered by breast cancer. Beyond documenting the physical changes brought on by the disease, these works of art allow women to give thanks for surviving treatment, and to visually reframe their experiences with poignancy and even humor.

This project was part of a campus-wide series of events to mark
Breast Cancer Awareness Month.

Events at the Davis Museum and Cultural Center
Monday, October 4, 2004, 4:00-5:00pm
Severance Green
Hurricane Voices: Janet Colantuono

A ceremony to kick-off Breast Cancer Awareness Month by integrating the story of how one woman’s voice can make a difference. This will be an interactive event with the group gathered and T-shirts will be distributed by Hurricane Voices.

Wednesday, October 6, 2004, 1:00-2:00pm
Jewett Auditorium
Keynote Lecture: Dr. Susan Love

Dr. Love, author not only of Dr. Susan Love’s Breast Book, but also of the foreword to Hollis Sigler’s Breast Cancer Journal, will share her medical expertise and her experience as a leader of the breast cancer advocacy movement in this lecture for the general public. Three works by Sigler from the Davis collections will be on view at the Davis Museum this month.

Wednesday, October 13, 2004, 7:00-9:00pm
Collins Cinema
No Hair Day/Hair Stories
: A conversation with photographers Elsa Dorfman and Karin Stack along with Debbie Dorsey and Libby Levinson (two of Dorfman’s portrait subjects)

A screening of the video, No Hair Day, followed by a conversation and book signings with Elsa Dorfman (No Hair Day) and Karin Stack (Hair Stories). Highlights include photographs to be loaned by Dorfman from her series of portraits of three women undergoing treatment for breast cancer, and by Stack from her series of self-portraits during her own treatment for that disease. Professor Michele Respaut will moderate. The video, No Hair Day, includes material that may be difficult for younger viewers.

Tuesday, October 19, 2004, 4:00-6:00pm
Margaret C. Ferguson Greenhouses seminar room
The Healing Garden
: A lecture by Betsy Tyson

A short video presentation and discussion with Betsy Tyson about the Healing Garden in Harvard, MA. A community in a tranquil garden setting that provides support and complimentary therapies without financial barriers to those touched by breast cancer. After the talk, there will be an opportunity for those in attendance to tour the greenhouses and ask questions.

Tuesday, October 26, 2004, 12:30-1:00pm
Sherrill Exhibition (Contemporary Gallery)
Lunchtime Gallery Talk

Elaine Mehalakes, Nancy Gray Sherrill Curatorial Fellow, gives a brief lunchtime talk about Hollis Sigler’s Where Daughters Fear Becoming Their Mothers.

Ongoing in the gallery
The Peres Maldonado Ex-voto Touchscreen

Three members of the Wellesley faculty write on a newly-acquired Mexican ex-voto painting, with which a seventeenth-century woman, Josefa Peres Maldonado, gives thanks for surviving the excision of six tumors from her breast. Contributing on this second installment of the Writing Project at the Davis are Anastasia Karakasidou, Anthropology; Sharon Elkins, Religion; and Jay Oles, Art . Their responses to the painting, and other information about the conservation it underwent and its intended function will be presented in a touchscreen kiosk in the gallery.

Related Open Classes at the Davis Museum
Monday, October 18, 2004 at 2:50pm
Museum Lobby
Anthropology 251: Cultures of Cancer

Professor Anastasia Karakasidou and her students discuss the works highlighted for Breast Cancer Awareness Month as part of the material culture of cancer.

Friday, October 22, 2004 at 11:15am |
Museum Lobby
Parents’ Weekend Gallery Talk with the Museum Director

David Mickenberg, Ruth Gordon Shapiro '37 Director of the Davis Museum and Cultural Center, will discuss a recently acquired eighteenth-century Mexican painting that shows a woman undergoing surgery for breast cancer, and the newly developed information touchscreen about it in the museum gallery. This Gallery Talk is part of a series of events to mark Breast Cancer Awareness Month on the Wellesley campus.

• For more information on these events please visit the following sites:

http://www.hurricanevoices.org
http://www.susanlovemd.com
http://www.elsa.photo.net
http://www.karinstack.com
http://www.healinggarden.net

• Support of Wellesley students participating in “Making Strides against Breast Cancer.” A walk on Sunday October 17… http://www.cancer.org/stridesonline


© 2004 - Davis Museum and Cultural Center
Provider Name: Jim Olson - jolson@wellesley.edu
Created: January 14, 2003
Last Modified: December 17, 2004
Expires: March 19, 2009
above: Hollis Sigler, The Last Time I Saw It, It Was ..., 1994. Oil pastel on paper with painted frame, 24-1/2 x 29-1/2 in. Given in loving memory of our friend Janet Christy Baker (Class of 1983) by "Pom 13" (Class of 1983), 2002.107. above: UNKNOWN, Mexican School, The Peres Maldonado Ex-voto, 18th century. Oil on canvas, 27 1/4 x 38 1/2 in. Museum purchase, Wellesley College Friends of Art. 2004.10. above: Hollis Sigler, Where Daughters Fear Becoming Their Mothers, 1985. 3-d color lithograph in acrylic box, 14 x 16-1/2 x 12-1/2 in. The Nancy Gray Sherrill, Class of 1954, Collection, 2002.109.