
The completed Sacred Sand Mandala.
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In February/March 2005 Wellesley College,
in cooperation with Trinity College, hosted eight Tibetan
Buddhist nuns including Ani Ngawang Tendol, their translator
and group
leader, from the Keydong Thuk-Che-Cho-Ling Nunnery in Kathmandu,
Nepal, in the creation of a sand mandala, the Avalokitesvara
mandala of compassion. Over twenty departments, programs
and nonprofit institutions joined together to support
this
sacred art event at Wellesley College. The Keydong nuns are
among the first Tibetan Buddhist women monastics to learn this
sacred art practice which was traditionally reserved for monks
only.
A mandala is a graphic representation of the perfected environment
of an enlightened being: in this case, Avalokiteshvara,the
Deity of Compassion. A mandala can be read as a bird’s-eye
view of a celestial palace, with a highly complex and beautiful
architecture adorned with symbols and images that represent
both the nature of reality and the order of an enlightened
mind. At a deeper level then, a mandala is a visual metaphor
for the path to enlightenment: its viewers “enter” a
world artfully designed to evoke attitudes and understandings
of their own deepest nature.
A mandala is both a microcosm and macrocosm and includes
the individual and the universe in its transformative power.
Upon completion of the intricate designs and complex iconography
of the mandala, it is dismantled and the sand is offered
back to the earth as a powerful symbol of the transitory
nature of life.
The concept of the mandala has, in the twentieth
century, found a wide range of correspondences: within
Jungian psychology,
the mandala represents an inner wholeness which we all
seek to restore. Within modern art, the mandala painting uses geometric shapes
to represent a vibrational landscape within the human soul.
Within political science and peace studies, the mandala refers
to the interpenetration of the personal with the political,
of contemplation with action, and the inherent deep connection
between mind, body, and spirit.
This project was made possible
by:
Office of Religious and Spiritual Life
Office of the President (to be confirmed)
Davis World Fund
Committee for Lectures and Cultural Events
Art Department
Department of Religion
Department of Political Science
Office of the Dean of Students
Theater Studies Department
Wellness Committee
Cultural Advisors’ Network
Slater Center
Students for a Free Tibet
WASAC (to be confirmed)
CSA (to be confirmed)
Trinity College
Brandeis University
Lesley University
Ruah Spirituality Institute
Boston Clergy and Religious Leaders’ Group
for Interfaith Dialogue
Project Director: Ji Hyang Sunim
Trinity Project Director: Judy Dworin
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