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If cliché leads us to believe that art
arises from suffering, there are few circumstances in which
the language of art could be more direct, more profound,
or more moving than art made in the European camps of World
War
II. The Last Expression presented – often
for the first time – what has until now been the relatively
unknown art of victims whose work was created while in
the
maelstrom of the Holocaust. It places on view drawings, paintings,
and prints made between 1941 and 1945 by victim artists.
While
all of the men and women whose work was seen in The
Last Expression were either incarcerated at Auschwitz
or died there, some of the work was done during incarceration
at other
camps such as Gurs and Drancy or in ghettos such as Lodz
or Theresienstadt.
In extreme and physically threatening circumstances
that would seem to thwart creative power, art functioned
as a survival strategy, a means of catharsis, and an act
of documentation and resistance. Art produced at Auschwitz
was made by both amateur and trained artists, by those who
gave expression to the suffering as well as those who needed
to repress it. Some used art to combat hunger, obtain lighter
work details, or gain other goods needed for survival.
The poignant, clandestine images of the hungry
and the dead, the illustrated training manuals executed
for
the SS, landscape paintings used to decorate SS barracks,
and painted letters sent from the camp are all part of a
complex
and disturbing culture of artistic production that gives
insight into the diversity of art created under duress.
Sometimes
working in secret and at other times on command, often hiding
drawings under floorboards or smuggling portraits to the
outside
world, each of the artists of the more than 170 works in The
Last Expression presented an incredible story and a
unique perspective on the role the arts played in the Holocaust.
Drawn from collections in Poland, Israel, the United States,
Germany, and France, this exhibition presented one of the
most
comprehensive presentations of art done by victim artists
while engulfed in the Holocaust.
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